DANIEL COREY
2 DAY INTENSIVE PAINTING WORKSHOP
Portsmouth, NH
January 10 -11, 2025
DANIEL COREY
2 DAY INTENSIVE PAINTING WORKSHOP
Community Congregational Church, 44 Post Rd. Greenland, NH. (Parish House)
January 10 -11, 2025. (9-4 daily).
$300 (Limit 14)
Register: (603) 819-9100
Email: [email protected]
Join us for a two day, indoor intensive painting workshop with American Artist, Daniel Corey. Expressive color, bold brush work, dynamic design and personal vision will be amongst the many topics discussed and demonstrated.
Daniel will share how he sees and translates nature on canvas, covering a multitude of topics from tools and materials, process, values, color, design, abstracting nature and infusing your expression into the process.
Daniel will lecture, demonstrate and provide students with easel assistance while you craft a painting in studio. We will work from photos provided or bring your own. We have table top easels or if you prefer to stand, please bring your outdoor gear and set up.
This intimate class is limited to fourteen students only.
Call or email Todd to Register: (603) 819-9100
Email: [email protected]
* Credit cards, Venmo, Pay Pal, checks, or cash for teachers pet.
* Mail a deposit check for $100 made out to Todd Bonita to:
Todd Bonita
28 McShane Ave
Greenland, NH 03840
Please write, "Dan Corey workshop" in the memo on the check.
2 DAY INTENSIVE PAINTING WORKSHOP
Community Congregational Church, 44 Post Rd. Greenland, NH. (Parish House)
January 10 -11, 2025. (9-4 daily).
$300 (Limit 14)
Register: (603) 819-9100
Email: [email protected]
Join us for a two day, indoor intensive painting workshop with American Artist, Daniel Corey. Expressive color, bold brush work, dynamic design and personal vision will be amongst the many topics discussed and demonstrated.
Daniel will share how he sees and translates nature on canvas, covering a multitude of topics from tools and materials, process, values, color, design, abstracting nature and infusing your expression into the process.
Daniel will lecture, demonstrate and provide students with easel assistance while you craft a painting in studio. We will work from photos provided or bring your own. We have table top easels or if you prefer to stand, please bring your outdoor gear and set up.
This intimate class is limited to fourteen students only.
Call or email Todd to Register: (603) 819-9100
Email: [email protected]
* Credit cards, Venmo, Pay Pal, checks, or cash for teachers pet.
* Mail a deposit check for $100 made out to Todd Bonita to:
Todd Bonita
28 McShane Ave
Greenland, NH 03840
Please write, "Dan Corey workshop" in the memo on the check.
SUPPLY LIST
DANIEL COREY SUPPLY LIST
Portable easel (French easel, half easel, pochade box or something appropriate for outdoor use) . This is probably the lightest and most comfortable set up I have found. It comes in three different sizes; I use the compact size.
Portable palette for outdoor use. Most of the above outdoor easels come with a palette, but remember it may have to be polyurethaned or "seasoned" before our workshop together.
Container for washing brushes, a Holbein or similar brand metal travel brush cleaner (Holbein Brand is worth the extra money, its the only one that I have found that doesn't leak), a Silicoil jar, or something similar.
Odorless thinner. Both, the 16 or 32 oz size will do fine. Gamsol, Turpenoid (not the Turpenoid natural stuff) or Thin X brand with the green label (available locally at Salt Bay Art Supply).
Paper towels (only Viva Brand will do) and a small trash bag or rags and a ragbag
Natural bristle brushes: Flats, at least two each of sizes 2, 4, 6 and one size 10. I love Utrechts "209 flats". I also love Blick scholastic white rounds for those who prefer less control.
Paints: I usually buy my paints and supplies (except easels) at Utrecht. Any specialty colors you like or have already, bring them along and we'll see if we can find a use for them. The minimum colors for this workshop are:
- Quinacridone Red
- Ultramarine Blue (Utrecht's Ultramarine Blue is the strongest)
- Cadmium Yellow Light, (One thats not too lemon-like or too oragne).
- and a large tube of Titanium White ( I like Gamblin Brand White best)
These colors below are optional but you may find useful:
- Cadmium Orange (Gamblin)
- Alizeran Yellow (Williamsburg).
- Yellow Ochre
- Cadmium Red Light
- Alizarin Crimson (optional)
- Cerulean Blue Hue
- Pthalo Blue (Green shade)
- Pthalo green (Yellow shade)
- Viridian
- Burnt Sienna
Panels: An assortment of canvas boards (cotton canvas is fine), three total per day: two 6x8s or two 8x10s and one 11x14 or 12x16 per day. You may want to bring some extra for after hours or if you decide to stay extra days to put some of what we learn to good use.
A small sketch book with a broad tip black marker like a sharpie
Palette knife: I use the Utrecht one that has a round butt and a pointy tip called a "trowel shape".
Optional: A small pocket mirror (not a necessity but very useful), a camera (a black and white option is a plus), a portable chair and a sun umbrella
Portable easel (French easel, half easel, pochade box or something appropriate for outdoor use) . This is probably the lightest and most comfortable set up I have found. It comes in three different sizes; I use the compact size.
Portable palette for outdoor use. Most of the above outdoor easels come with a palette, but remember it may have to be polyurethaned or "seasoned" before our workshop together.
Container for washing brushes, a Holbein or similar brand metal travel brush cleaner (Holbein Brand is worth the extra money, its the only one that I have found that doesn't leak), a Silicoil jar, or something similar.
Odorless thinner. Both, the 16 or 32 oz size will do fine. Gamsol, Turpenoid (not the Turpenoid natural stuff) or Thin X brand with the green label (available locally at Salt Bay Art Supply).
Paper towels (only Viva Brand will do) and a small trash bag or rags and a ragbag
Natural bristle brushes: Flats, at least two each of sizes 2, 4, 6 and one size 10. I love Utrechts "209 flats". I also love Blick scholastic white rounds for those who prefer less control.
Paints: I usually buy my paints and supplies (except easels) at Utrecht. Any specialty colors you like or have already, bring them along and we'll see if we can find a use for them. The minimum colors for this workshop are:
- Quinacridone Red
- Ultramarine Blue (Utrecht's Ultramarine Blue is the strongest)
- Cadmium Yellow Light, (One thats not too lemon-like or too oragne).
- and a large tube of Titanium White ( I like Gamblin Brand White best)
These colors below are optional but you may find useful:
- Cadmium Orange (Gamblin)
- Alizeran Yellow (Williamsburg).
- Yellow Ochre
- Cadmium Red Light
- Alizarin Crimson (optional)
- Cerulean Blue Hue
- Pthalo Blue (Green shade)
- Pthalo green (Yellow shade)
- Viridian
- Burnt Sienna
Panels: An assortment of canvas boards (cotton canvas is fine), three total per day: two 6x8s or two 8x10s and one 11x14 or 12x16 per day. You may want to bring some extra for after hours or if you decide to stay extra days to put some of what we learn to good use.
A small sketch book with a broad tip black marker like a sharpie
Palette knife: I use the Utrecht one that has a round butt and a pointy tip called a "trowel shape".
Optional: A small pocket mirror (not a necessity but very useful), a camera (a black and white option is a plus), a portable chair and a sun umbrella
DANIEL COREY PAINTINGS
DANIEL COREY
OBSERVATION AND INTERPRETATION
My name is Daniel Corey, I am a traditional painter rooted in the aesthetic values of the Ashcan school and the French impressionists. Inspired by light quality, color harmony and abstract shapes, my paintings are created from direct observation and memory. I enjoy the challenge of painting nontraditional views and subjects, and the views that make Maine, Maine.
2009 M.A.R.C Monhegan Residency award winner.
2011 Pemaquid Artist Group Guest Artist of the Year.
2011 Door County WI Plein Air Invitaional participant
2012 Art In ME second place and Peoples Choice winner.
2016 Art in ME Honorable Mention
My name is Daniel Corey, I am a traditional painter rooted in the aesthetic values of the Ashcan school and the French impressionists. Inspired by light quality, color harmony and abstract shapes, my paintings are created from direct observation and memory. I enjoy the challenge of painting nontraditional views and subjects, and the views that make Maine, Maine.
2009 M.A.R.C Monhegan Residency award winner.
2011 Pemaquid Artist Group Guest Artist of the Year.
2011 Door County WI Plein Air Invitaional participant
2012 Art In ME second place and Peoples Choice winner.
2016 Art in ME Honorable Mention