Perkins Cove Artist in Residence Free Parking
Perkins Cove, Ogunquit, Maine
Daily, May through Columbus Day. (Reservation required)
The Town of Ogunquit has extended a special parking space in Perkins Cove, reserved specifically for Artist who wish to paint in Perkins Cove and its vacinity. This unique opportunity is an endearing gesture on behalf of the town and its residence, providing a respectful nod to its rich Art history and its desire to keep the arts alive and thriving in Ogunquit.
Daily, May through Columbus Day. (Reservation required)
The Town of Ogunquit has extended a special parking space in Perkins Cove, reserved specifically for Artist who wish to paint in Perkins Cove and its vacinity. This unique opportunity is an endearing gesture on behalf of the town and its residence, providing a respectful nod to its rich Art history and its desire to keep the arts alive and thriving in Ogunquit.
WHAT: Perkins Cove Artist-in-residence Free parking.
WHERE: Perkins Cove, Ogunquit, Maine.
(Next to the Trolly stop in the main parking lot)
You will see the, "RESIDENT ARTIST PARKING ONLY" parking sign (as shown here).
*set your GPS to 102 Perkins Cove road.
WHO: Any artist from any state or country who wishes to paint in Perkins Cove and / or its vacinity for the day.
WHEN: May 1 through Columbus Day.
(8am -8pm) Monday, Tuesday, Thursday,, Saturday, Sunday
(8am - 4pm) Wednesday & Friday
RESERVE: To reserve a calendar date, Contact Jen at Jenlwere@cfl.rr.com or call (321) 544-3998 (Text preferred).
with your request for up to 4 dates. It is first come - first serve. Carpooling with artist friends encouraged.
Check our reservation calendar below for openings.
PARKING PROTOCOL: (1) Arrive on your reserved calendar date.
(2) Park your car at "RESIDENT ARTIST PARKING ONLY"
(3) Bring your drivers license to the parking booth attendfant and exchange it for the daily parking placard to place in your windshield. Return placard for your drivers license at the end of your painting session.
GRATITUDE: Honer the town, its residence and the Artist's who painted here before us by gratefully repecting the code of conduct.
(1) Please only use the space if you are painting in Perkins Cove, Marginal way and / or its vacinity.
(2) Please do not set up a display /shopping venue for your art. It is not a business enterprise to sell art. The sale of your art is welcome if a patron wishes to buy off the easel. You may have another painting with you unframed. We want you to have success as a painter and hope you sell your work, have a positive experience, make a great painting, but please dont abuse it.
RESERVATIONS: Contact Jen at Jenlwere@cfl.rr.com or call (321) 544-3998 (Text preferred).
WHERE: Perkins Cove, Ogunquit, Maine.
(Next to the Trolly stop in the main parking lot)
You will see the, "RESIDENT ARTIST PARKING ONLY" parking sign (as shown here).
*set your GPS to 102 Perkins Cove road.
WHO: Any artist from any state or country who wishes to paint in Perkins Cove and / or its vacinity for the day.
WHEN: May 1 through Columbus Day.
(8am -8pm) Monday, Tuesday, Thursday,, Saturday, Sunday
(8am - 4pm) Wednesday & Friday
RESERVE: To reserve a calendar date, Contact Jen at Jenlwere@cfl.rr.com or call (321) 544-3998 (Text preferred).
with your request for up to 4 dates. It is first come - first serve. Carpooling with artist friends encouraged.
Check our reservation calendar below for openings.
PARKING PROTOCOL: (1) Arrive on your reserved calendar date.
(2) Park your car at "RESIDENT ARTIST PARKING ONLY"
(3) Bring your drivers license to the parking booth attendfant and exchange it for the daily parking placard to place in your windshield. Return placard for your drivers license at the end of your painting session.
GRATITUDE: Honer the town, its residence and the Artist's who painted here before us by gratefully repecting the code of conduct.
(1) Please only use the space if you are painting in Perkins Cove, Marginal way and / or its vacinity.
(2) Please do not set up a display /shopping venue for your art. It is not a business enterprise to sell art. The sale of your art is welcome if a patron wishes to buy off the easel. You may have another painting with you unframed. We want you to have success as a painter and hope you sell your work, have a positive experience, make a great painting, but please dont abuse it.
RESERVATIONS: Contact Jen at Jenlwere@cfl.rr.com or call (321) 544-3998 (Text preferred).
ARTIST PAINTING IN THE COVE
Diane M. Bragdon
www.watercolorsbydianem.com
Getting outside is good for the soul, especially in these days of Covid-19. Through my artwork, I try to bring the outside in, capturing the quiet beauty of the landscapes and seascapes all around me. My paintings are recordings of the moments where I’ve spent in each of these places, and I want to rekindle those memories. The best compliment of my work is when someone tells me that my painting made them smile and remember a special time of their own.
Getting outside is good for the soul, especially in these days of Covid-19. Through my artwork, I try to bring the outside in, capturing the quiet beauty of the landscapes and seascapes all around me. My paintings are recordings of the moments where I’ve spent in each of these places, and I want to rekindle those memories. The best compliment of my work is when someone tells me that my painting made them smile and remember a special time of their own.
Laura Cassinari King
www.lauracassinariking.com
Having grown up coming to Rye Beach most weekends and summers, where my grandmother lived, I took its beauty for granted until I moved to Ohio and remained landlocked for 18 years. I appreciate the ocean now as never before and expression through visual art has become for me an enchanting stroll through the woods at twilight, calm and serene with a delicious morsel of apprehension which wrenches me from my comfort zone to new heights of self-discovery.
Having grown up coming to Rye Beach most weekends and summers, where my grandmother lived, I took its beauty for granted until I moved to Ohio and remained landlocked for 18 years. I appreciate the ocean now as never before and expression through visual art has become for me an enchanting stroll through the woods at twilight, calm and serene with a delicious morsel of apprehension which wrenches me from my comfort zone to new heights of self-discovery.
Lydia Meade
www.lydiameade.com
Lydia's work is inspired by abstract shapes, and the influence of atmosphere and light on color. Her paintings are created "en plein air" and from memory in her studio at the
Button Factory in Portsmouth, NH.
Lydia's work is inspired by abstract shapes, and the influence of atmosphere and light on color. Her paintings are created "en plein air" and from memory in her studio at the
Button Factory in Portsmouth, NH.
Debbie Mueller
www.debbiemuellerart.com
A love affair with light and shadow, with the path of color as it describes not just an object’s
identity but its illumination, pushes my brush. I find the same joy in painting a sunlit building,
with its shadowed nooks and crannies, as I do painting an egg, sitting in a white bowl, waiting to
be scrambled, with its fractured shell catching light. In each of these, I seek to find an
experience that I have had, or might have had, that will evoke nostalgia. A yearning for the
simplicity of a cut orange, a white building illuminated by the setting sun, the diagonal cut of
purple shadow cleaving against the glow of brick in sunlight gives rise to my subjects. I want my
viewers to experience their own relationship with the subjects of my paintings, and
infrequently put other figures in as then the painting becomes about their relationship with
place.
A love affair with light and shadow, with the path of color as it describes not just an object’s
identity but its illumination, pushes my brush. I find the same joy in painting a sunlit building,
with its shadowed nooks and crannies, as I do painting an egg, sitting in a white bowl, waiting to
be scrambled, with its fractured shell catching light. In each of these, I seek to find an
experience that I have had, or might have had, that will evoke nostalgia. A yearning for the
simplicity of a cut orange, a white building illuminated by the setting sun, the diagonal cut of
purple shadow cleaving against the glow of brick in sunlight gives rise to my subjects. I want my
viewers to experience their own relationship with the subjects of my paintings, and
infrequently put other figures in as then the painting becomes about their relationship with
place.
Lennie Mullaney
www.lenniemullaney.com
Lennie Mullaney is both an artist and teacher. Her studio, 211A is in The Button Factory on 855 Islington St. in Portsmouth NH 03801.
However, much of her work is done “en plein aire”. She is an observational artist who responds to the environment around her. “Painterly” in her style, she strives to simplify that which is observed to shape, color and texture.
Lennie Mullaney is both an artist and teacher. Her studio, 211A is in The Button Factory on 855 Islington St. in Portsmouth NH 03801.
However, much of her work is done “en plein aire”. She is an observational artist who responds to the environment around her. “Painterly” in her style, she strives to simplify that which is observed to shape, color and texture.
Maria Nemchuk
www.marianemchuk.com
Maria’s artistic inspirations come from the world that surrounds her. She paints a wide variety of subjects - landscapes, still lifes, and portraits. She loves painting au plein air and does it year round. “When you paint outside, you are surrounded by smells, sounds, and ever changing light. You are challenged - everything is calling for your attention.”
Maria’s artistic inspirations come from the world that surrounds her. She paints a wide variety of subjects - landscapes, still lifes, and portraits. She loves painting au plein air and does it year round. “When you paint outside, you are surrounded by smells, sounds, and ever changing light. You are challenged - everything is calling for your attention.”
Tori Rasche
www.torirasche.com
Tori Rasche is originally from La Jolla, California and has lived and worked in York, Maine since 1996. Working in oil, she uses composition, light, and color to bring an experience of place and a moment in time to the viewer.
Tori Rasche is originally from La Jolla, California and has lived and worked in York, Maine since 1996. Working in oil, she uses composition, light, and color to bring an experience of place and a moment in time to the viewer.
Hillary Scott
www.hillaryscottfineart.com
Hillary Scott is an academically trained landscape painter from northeast Massachusetts. She earned her BFA from UMass Lowell (2002) in children's book illustration. She illustrated books for many years before making the transition to landscape painting in 2014. Hillary has an affinity for marshes, seas, and skies and finds endless inspiration in the beautiful New England landscape.
Hillary Scott is an academically trained landscape painter from northeast Massachusetts. She earned her BFA from UMass Lowell (2002) in children's book illustration. She illustrated books for many years before making the transition to landscape painting in 2014. Hillary has an affinity for marshes, seas, and skies and finds endless inspiration in the beautiful New England landscape.
Christopher Volpe
www.christophervolpe.com
I paint from imagination, photograph references, and from life, the latter of which enables me to absorb sensations and visual vocabularies based on experience that later in the studio I can draw on with greater freedom of conception and expression. Most of my paintings comprise a combination of painting knife and brush work.
I paint from imagination, photograph references, and from life, the latter of which enables me to absorb sensations and visual vocabularies based on experience that later in the studio I can draw on with greater freedom of conception and expression. Most of my paintings comprise a combination of painting knife and brush work.
Todd Bonita
www.toddbonita.com
I love painting coastal New England imagery outdoors in plein air, equally as much as crafting more involved compositions in my studio. Above all, I love the process and simple joy of being with my tools and painting.
I love painting coastal New England imagery outdoors in plein air, equally as much as crafting more involved compositions in my studio. Above all, I love the process and simple joy of being with my tools and painting.
SCHEDULE of ARTIST (Reserve a date: Tmbonita@gmail.com)
AUGUST
Wed 24: Melanie Leavitt
Thurs 25: Ric Della Bernada
Fri 26
Sat 27
Sun 28
Mon 29 Judy Miller
Tues 30
Wed 31
SEPTEMBER
Thu 15: Ric Della Bernada
Fri 16
Sat 17: Patty Evans
Sun 18
Mon 19
Tue 20
Wed 21: Christy Hegarty
Thu 221: Ric Della Bernada
Fri 23
Sat 24
Sun 25
Mon 26
Tue 27
Wed 28 : Christy Hegarty
Thu 29: Ric Della Bernada
Fri 30
OCTOBER
Sat 1
Sun 2
Mon 3
Tue 4: Christy Hegarty
Wed 5
Thu 6
Fri 7
Sat 8
Sun 9
Mon 10 COLUMBUS Day.
Wed 24: Melanie Leavitt
Thurs 25: Ric Della Bernada
Fri 26
Sat 27
Sun 28
Mon 29 Judy Miller
Tues 30
Wed 31
SEPTEMBER
Thu 15: Ric Della Bernada
Fri 16
Sat 17: Patty Evans
Sun 18
Mon 19
Tue 20
Wed 21: Christy Hegarty
Thu 221: Ric Della Bernada
Fri 23
Sat 24
Sun 25
Mon 26
Tue 27
Wed 28 : Christy Hegarty
Thu 29: Ric Della Bernada
Fri 30
OCTOBER
Sat 1
Sun 2
Mon 3
Tue 4: Christy Hegarty
Wed 5
Thu 6
Fri 7
Sat 8
Sun 9
Mon 10 COLUMBUS Day.